In the rain

Painting, living and dreaming

Expo event

November 7th, 2025 to March 1st 2026

The Musée d'arts de Nantes devotes its major exhibition 2025 to the representation, sensibility and imagination of rain that emerged at the end of the 18th century. A literary subject, an object of scientific study, tamed by city-dwellers in modernized cities, rain became a motif for painters, photographers, filmmakers and contemporary artists alike.

  • 19th century

Last update: Thursday, November 20 at 2:59 PM

Book your ticket

Buy your ticket and reserve your visit time on the online ticketing service or at the museum ticket office.

 Reservations strongly recommended at weekends, on public holidays and during vacation periods. Access to the exhibition is only guaranteed if you reserve a slot.

  • The exhibition

    It falls without warning, erasing contours, vibrating the light, transforming the landscape... Rain disturbs as much as it reassures, annoys as much as it amazes. The Musée d'arts de Nantes dedicates its major exhibition 2025 to rain, exploring the intimate and sensitive relationship we have with it, which fascinated artists from the late 19th century to the 1930s.

    Rain is an evasive pattern and a challenge for the artist. How to represent this translucent, colorless element that cloaks the landscape and obscures the horizon? Attentive to its many variations, plein-air painters, and later the Impressionists, left their studios to embrace an experience that was both sensitive and physical. Witnesses to the metamorphosis of cities, they also drew a portrait of an urban society that paced the streets and boulevards in the rain. Here, the challenge is less to represent the rain than to suggest the effervescence of the modern city around the umbrella, the iconic object of a new popular culture.

    Between art and social history, the exhibition also evokes the progress of meteorological science, which has played a decisive role in understanding our contemporary approach to the weather. Favoring a sensory approach, the exhibition features over 150 works, mixing painting, photography, literature, sound fragments and film extracts.

    In the Patio, the exhibition continues in the Salle Blanche and the Chapelle de l'Oratoire, where two contemporary counterpoints are presented: a video work by Julius von Bismarck and a sound installation by Zimoun, revealing our ambivalent relationship with rain.

    Painting in the rain

    By challenging the ways of painting, rain played a part in the emergence of an artistic questioning of the transcription of sensations and optical effects that continued through to Impressionism and beyond. From sublime depressions (from Gustave Courbet to Tal Coat) to vaporous atmospheres (William Turner, Martin Johnson Heade, Angelo Morbelli), its representation frees itself from any narrative, oscillating between blur, line and point (Claude Monet, Paul Sérusier), nourished by the graphic proposition of Japanese prints, those "images of the floating world" collected by numerous artists (Hiroshige, Toyokoni II, Hokusaï).

    Maxime Maufra, The Storm, 1892. Nantes, Nantes Museum of Art

    Camille Pissaro, Après la pluie, quai à Pontoise,1876. The Whitworth, The University of Manchester

    Living in the rain

    In fast-growing cities, with wide asphalt avenues opening up vast vistas and facilitating travel, modern lifestyles have come to terms with rain as a mere meteorological inconvenience. The motif of city-dwellers - trottin, Parisienne and worker alike - crossing muddy streets and bridges took hold in the 1880s-1890s (Joseph Palizzy, Jean Béraud, Honoré Daumier). A social and urban portrait took shape, often full of humor. The singular silhouette of the umbrella, a clothing accessory that punctuates and completes the silhouette, is introduced into this imagery, becoming the object of formal fantasies in compositions by Leonetto Capiello, Christian Krohg and Félix Vallotton.

    Dreaming of rain

    Paul Verlaine invented glominessand urban spleen, while Barbara sang of rain in Nantes. The symbolic association of rain with melancholy coincides with the birth of a modern sensibility and imagination at the dawn of the 20th century. Joining the wander as he strolls through the city, the painter and photographer translate into fluid perspectives and shimmering fragments an aesthetic experience of the city in the rain (Albert Marquet, Émile Claus, Charles Lacoste, Brassaï, Alfred Stieglitz). Under the eye of filmmaker Joris Ivens, frozen, blurred, graphic and vibrating like a silent melody, rain becomes a binding element, like a blanket of water (Regen, 1929).

    Léon-Jules Lemaitre, View of Rouen in the rain, 1891. Rouen, Musée des Beaux-Arts.

  • In photos
  • On video

    Vidéo pitch… au cœur de l’exposition !

    Marie-Anne du Boullay, commissaire de l’exposition nous présente Sous la pluie. Peindre, vivre et rêver.

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    Ce qu’ils en disent…

    Pris sur le vif lors de leur venue au musée, des visiteurs nous donnent leur sentiment face à quelques œuvres. Un retour d’expérience sensible et sans filtre !

    Épisode 1 : Hockney

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    Épisode 2 : Caillebotte

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    Épisode 3 : Angrand

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    Retour sur le week-end festif !

    Les 8 et 9 novembre 2025, le Musée d’arts de Nantes a organisé un week-end inaugural pour le lancement de l’exposition Sous la pluie. Peindre, vivre et rêver. Un programme riche de surprise, d’amusements divers et de découvertes artistiques. Retour en images sur l’événement.

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  • Catalog and books about the exhibition
    Catalog cover

    Catalog published for the exhibition Sous la pluie. Peindre, vivre et rêver presented at the Musée d'arts de Nantes from November 7th, 2025 to March 1st, 2026, then at the Musée des Beaux-arts de Rouen from April 11th to September 20th, 2026.

    Co-published by Musée d'arts de Nantes and Musée des Beaux-arts de Rouen.

    Available for consultation at the museum library, and on sale at the museum bookshop-boutique.

    Books selected by the museum library

    Here is a selection of books related to the exhibition Sous la pluie. Painting, living and dreaming. You can consult them at the library New Window by appointment.

  • 14 sound drops with Musair

    Equiped with your smartphone, you can visit the exhibition under a shower of sound with Musair! 14 sound capsules based on 14 works of art invite you to take a poetic and musical journey under the rain.

    Don't forget your smartphone, headphones or earphones - they'll be usefull!

    Free tour, no download, flashcode to be scanned at the exhibition entrance or on the artwork labels.
    14 sound drops - approx. 50 min.

Scientific curator: Marie-Anne du Boullay, in charge of the 19th-century collections at the Musée d'arts de Nantes, based on an idea by Jean-Rémi Touzet, curator at the Musée d'Orsay, assisted by Anouck Sberro, exhibition assistant.

The exhibition Sous la pluie, peindre, vivre et rêver is co-produced with the Musée des Beaux-arts de Rouen, which will present it in spring 2026.

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The Musée d'arts de Nantes would like to thank its patron Société Générale for its financial support of the exhibition, and the Fonds Métropolitain pour la Culture.

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The museum extends its warmest thanks to its media partners, whose support plays an active part in helping the public to discover the exhibition and to visit it.

the world New windowarte New windowbeaux arts magazine New windowthe eye New windowknowledge of the arts New window New window
france 3 pays de la loire New windowwest france New windowbig city life New windowsncf connect New windowtélérama New window

The Musée d'arts de Nantes warmly thanks Galeries Lafayette for its partnership in the exhibition.

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"exclusive offer: 1 free gift for every €35 purchase on presentation of an exhibition ticket".


Legend and credits

Gustave Caillebotte (1848-1894), Rue de Paris, temps de pluie, 1877. Paris, Musée Marmottan Monet, bequest of Michel Monet, 1966, photo: © musée Marmottan Monet / Studio Christian Baraja SLB
Joseph Mallord William Turner (1775-1851), Nantes, Pont de Pirmil,1830. Oxford, The Ashmolean Museum, University of Oxford. John Ruskin Collection, 1861 photo: © Ashmolean Museum, University of Oxford